The differences between feelings and perceptions meanwhile experiencing these instances with music. A love song–when heard–the assumption about love in music would repeatedly assume the sounds of love music as slow with melodic harmonics. These arranged sounds may be presumed to be as a conjuring, of aesthetics, eliciting a mellowness thought to be the swaying elements perceived to be felt when in love. Interestingly, observing the last 7 words of the last sentence, “…perceived to be felt when in love”; the concern to me is, how do you perceive what–when love is the subject–how you confirm what it is that lays down your final affirmation on how it is to be in love, or how it is to be felt by love–in other words–how do you imagine, or percieve, how feeling in love is?
In music, the proper combination of elements constructed together by music producers
may generate feelings directly from parts in your body, usually the mind, but there are other areas other than the mind that trigger feelings as well. Other areas other than the
mind triggering feelings, are areas already known from studies connecting musical elements that evoke chills, shivers, or goose bumps; however, do you know why your body produced chills,
shivers, or goose bumps; the same goes with stimulation that produces sensations of love, would you see it as actual feelings of love–real love–or are they perceptions thought that is what love would be like from previous observations and experiences. And in the process of living out feelings and perceptions from music elements–when you are listening to those elements–do you know if, or how, you would know when you are experiencing a perception or an actual feeling?
In interviewing an individual, we reviewed the emotionality displayed in Keith Sweat’s, “How Deep is your Love”. In the interview, a question was asked on the past experiences, emotionally, from listening to this song from when you first heard this song.
With more current times, the level of artistry behind each musical piece will equally earn its value in timeless collections of our music libraries archived, for mankind, for our entertainment industry culture; and even so, musical pieces encapsulate the creator of the times displaying talent that stimulate our senses for experiencing feelings, or perceptions of feelings. However, in this example I chose for you all to experience the difference between a perception, and an actual feeling. For instance, “Lost One” the title alone promotes a perception, the perception open for any suggestion; however, master pieces involved with Jay-Z’s musical pieces places his song writing capabilities, in rhyme format, in a Higher Order of Thinking Skills domain that embed feelings behind each word. The rhyme delivery sways the beat, or the beat sways the rhyme, either way, Jay-Z speaks of losing one, and in this piece, it is actually a love song, brilliantly G’ed-up with skills from the four elements in hip-hop. To experience the track fully, providing the option for experiencing each frequency range, when appreciating music, is highly suggested as levels of feelings will enhance.
Don’t forget, other than love, there are other emotions and feeling left on a painter’s palette; for those that appreciate perceptions, it’s a matter of owning a self awareness when it comes to protecting your household filled with emotions, that ultimately drives behaviors; therefore, ultimately ends with a form of instability, or an unnecessary anomaly known to be associated in actual feelings from artists, for emitting each creative unique craft of music production in an understanding for a treatment that is always underlying every piece of music in the industry.
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